Found 1159 study abroad units
KPB325 Screen Issues
Unit information
- School/discipline
- Film, Screen & Animation
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit develops historical, critical and analytical skills in reading and writing about issues in the screen industries and contemporary culture. It fosters both critical research skills and practical, professional development skills and approaches for emerging practitioners. It looks at contemporary screen production contexts and consumption practices, and how these issues relate to the industries. The unit considers the effect of screen forms on the experience of visual culture and investigates the relationship between evolving digital technologies and existing media. Understanding the contemporary contexts for screen production is essential for screen professionals. This unit brings you up-to-date with the issues and topics most relevant for emerging practitioners who would like to make the most of the opportunities, be aware of risks and become dynamic and adaptive in the process.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KPB326 Advanced Screen Production Practices
Unit information
- School/discipline
- Film, Screen & Animation
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit extends your knowledge and skills relevant to the demands and expectations of contemporary screen production practices through practical production experience and exposure in a professional setting. It will extend on screen production experiences in new and unique environments and further equip you with expertise particular to technology and employability in the workplace. This unit will provide you with the opportunity to further specialise in an area of pre-production, production or post production, as you work collaboratively to produce a festival-quality short film.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KRB120 Scenography 1: Introducing Performance Design
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit will introduce you to scenography through a study of key historical shifts, foundational concepts and techniques in live performance design. 'Scenography' is the art of creating performance environments incorporating elements such as set, sound, light, new media and costume within space; driven by a performance text; and shaped by the performer and director for a live audience. This unit covers the evolution of scenography for theatre, dance and opera; and how these developments continue to influence contemporary performance design. KRB120 is ideal for students interested in designing, directing/choreographing, managing, performing and/or technically facilitating live works. The unit introduces a broad range of design techniques, technology and terminology used in contemporary performance practice. As the first unit in the Scenography minor, this foundation unit serves as preparation for more detailed and practical investigation in subsequent units.
KRB121 Scenography 2: Creating Worlds for Theatre
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit introduces you to the practical concepts and processes associated with the creation of scenography – the world of the theatrical performance. It explores the practical application of the core elements of scenography including set, costume, light, sound and vision, while considering other key performance elements including space, time, narrative, character, performers and audience. The unit facilitates practical application and experience in solving the challenges faced by the scenographer. This includes the demands of crafting and communicating a theatre design, using relevant industry software to model set designs, and the ongoing challenge of documenting the creative process and product. It combines practical investigations with in-depth lectures on the application of design, including the role of the contemporary production designers, the design process and techniques.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KRB130 Set and Spatial Design
Unit information
- School/discipline
- School of Creative Arts
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit focuses on set and spatial design approaches to shaping worlds for live performances, film and television, installations and creative encounters. Through a mix of practical exploration and analysis of professional practice, the unit delivers skills, techniques and concepts to equip you in designing spaces within your individual creative practice. You will learn how the foundational elements of production design are applied in professional practice and how they can enhance your own creative work. Through the lecture series, you will be exposed to a range of design styles and genres and discover key elements of set and spatial design. The workshops and the assessment items provide the opportunity to apply set and spatial design skills to a creative area of your choice. This unit complements disciplines such as Acting & Drama, Dance, Contemporary Art, Film, Screen & Animation, Music, Fashion, Interaction Design, Architecture & Interior Design.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KRB131 Lighting Design for Creative Arts
Unit information
- School/discipline
- School of Creative Arts
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
The unit focuses on the creative application of light in creative practice. From live performance, film, exhibitions and galleries, installations, and more, this unit will introduce you to the fundamentals of lighting design practice and approaches. You will explore a range of lighting technologies, apply essential practical lighting techniques, as well as how to approach lighting the body and spaces, as well as use the characteristics of light to convey meaning and create atmosphere. This unit would complement any creative discipline that requires or curates light - Acting & Drama, Dance, Contemporary Art, Film, Screen & Animation, Music, Fashion, Interaction Design, Architecture, and Interior Design.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KRB220 Scenography 3: Into the 21st Century
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
In this unit, you will interrogate the evolution of scenography through the 20th Century into the 21st Century within the changing fields of theatre and performance. Through an investigation of key shifts, significant developments, and leading practitioners of this time, the notion of scenography and its role in theatre and performance is questioned. You will be exposed to a broad range of scenographic and performance movements, practitioners and styles which will shape your future experimentation in design for performance.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KRB221 Scenography 4: Intermedial Theatre
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit introduces scenographic techniques and approaches for intermedial theatre such as conceptualisation through to realisation, while offering an appreciation of the overall production process. It explores the practical realisation of the principles of intermedial theatre - the use of space and technology; the design and composition of visual and aural environments; the demands and effect of the digitally mediated upon the narrative, production, performers and audience. The unit is structured to incorporate a degree of practical application and experience in solving the challenges faced by the designer working in theatre, including 'hands-on' experience of the processes and demands of realising an intermedial performance. As the final unit in the Scenography minor, this studio-based unit comprises predominantly ongoing practical work that you complete under the close guidance and instruction of QUT academic staff.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KRB230 Digital Scenography
Unit information
- School/discipline
- School of Creative Arts
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit investigates how performance technologies can be used as key design and storytelling tools within production design and creative experiences. "Digital scenography” is a growing approach that integrates the digital into the form, function and design of a creative work, exploring how the digital can be used to interrogate meaning, narratives, and the human experience. From projection and screen technologies to immersive digital scenographies, this unit will equip you with the skills and conceptual approaches to integrate the digital into production design practices across live performance, contemporary art, dance and more. This unit is ideal for students wanting to design with visual digital technologies as a crucial worldbuilding tools. This unit complements disciplines such as Acting & Drama, Dance, Contemporary Art, Film, Screen & Animation, Music, Interaction Design, Architecture, and Interior Design.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB110 The Actor's Instrument: Impact and Presence
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This introductory unit addresses the fundamentals of dynamic movement and voice production for actors, exploring foundational skills that focus on embodied impact and presence. Highly developed technical proficiency in vocal and physical expressiveness is a fundamental requirement for professional actors. This unit introduces core techniques and concepts associated with safe movement and vocal production for actors working in screen and stage contexts, including foundational ensemble development for collaborative practice informed and strengthened by Aboriginal and Torres Strait Islander cultural practices. These skills will inform every acting exercise or collaborative project undertaken through the three years of your course and beyond.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB115 Acting Realism, Theories and Practices
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This foundational unit introduces you to the core theories of acting in the genre of realism and explores how they can be applied to the development of professional acting methods and practice, and to an understanding of the actor’s creative role in traditional and contemporary theatre-making, and to the collaborative protocols that underpin it. It also introduces you to contemporary approaches to dramaturgical and textual analysis, that enable you to identify and apply the elements of a dramatic text that stimulate the imaginative procedures specific to the art form of acting. The aim of this unit is to help you build a foundation of cognitive, imaginative, and embodied learning skills centring on acting practice, to enable you to continue developing your craft autonomously and in a systematic, informed way.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB120 The Actor's Instrument: Communication and Composition
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This introductory unit focuses on the continuing acquisition of instrumental skills associated with developing impact and presence in physical and vocal expressiveness, and now applies them to the communication and shaping of dramatic meaning. Highly developed technical proficiency in vocal and physical expressiveness is a fundamental requirement for professional actors. This unit builds on core techniques and concepts introduced in KSB110 associated with theoretical notions of vocal and physical transformation for actors working in screen and stage contexts.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB125 Theatricality and the Contemporary Audience
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This introductory unit develops your understanding and skills in creating acting performances that dynamically engage with live audiences, requiring you to investigate ways of combining physical and vocal embodiment with genre-appropriate, audience-focused staging conventions. Your enquiry includes exploring how realism and theatricality can be combined to intensify the impact on the audience of dramatic meaning, social commentary and visual storytelling. This enquiry will be informed by engagement with a range of play texts and theoretical perspectives relating to acting issues associated with this form of theatre and its political, social and cultural contexts. The unit challenges you to apply your developing acting, voice, imaginative and embodiment skills and techniques, to the demands associated with performing dynamic roles from complex source material of different genres and cultural contexts.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB240 Screen Acting Theories and Practice
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
The screen-based industries provide actors with the opportunity to reach wide audiences and to potentially build national and global careers, as well as create sustainable, independent, entrepreneurial practice. This unit introduces analytical, technical and performance practice associated with contemporary acting for camera in both traditional and emerging screen technologies. The focus is on exploring the application of analytical skills to acting materials written for screen, the development of specific acting techniques sensitive to technical elements such as frame, eyeline and continuity; and an understanding of simple studio production technologies and their associated personnel, workflow and purpose.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB245 Performing Ideas, Ideology and Social Critique
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This intermediate unit sees the creative application of acting and research skills to respond to contemporary plays that confront complex cultural, political or social issues, with scenes to be staged for live audiences and then adapted to being filmed in screen studio settings. These can include the challenge to act in scenes that require considerable investment in understanding complex ideas, fusing psychological and political/philosophical perspectives, including Aboriginal and Torres Strait Islander perspectives, unusual given circumstances, or digital/green screen environments. (There may also be scenes requiring the application of explicit consent-based protocols such as those that regulate the portrayal of intimacy or violence.)
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KSB310 Character and Location
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit aims to develop the actor’s ability to make highly individual creative choices in relation to text, scene partner and real or imagined settings (whether domestic, public, natural or fantasy environments) while being aware of and playing to a range of viewer responses and agendas. The unit focuses on applying dramaturgical understanding and advanced acting skills to the creation of screen characters that draw on their physical and cultural locations.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB110 Plays that Changed the World
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit investigates theatre and performance from Greek Theatre to Postmodernism and embraces socio-cultural/political/historical perspectives. It provides foundations in academic writing skills as required in the discipline of drama. It addresses the major movements in the evolution of performance in theatrical history while encouraging critical enquiry, debate and research through study and performance of seminal plays that shaped theatre. An understanding of the evolution of the theatrical form and its relationship with contemporary contexts is vital to a sound knowledge of performance. The facility to identify theatre traditions, the key junctures in the progress of content and form, and the advancement of theatre as an art-form, is foundational to the contemporary practitioner.
KTB111 Acting in Realism: The Authentic Actor
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit surveys the theoretical and practical components of Stanislavski-based realism which strives towards authenticity. It focuses on the critical and creative theories and techniques needed to cultivate authenticity, imagination and emotion-awareness. Authenticity is the foundation for building and portraying characters for the performing artist. A combination of exercises and scene study will deepen the understanding and playing of action in the realistic mode. Stanislavski-based realism is arguably the most dominant style of acting in twentieth and twenty-first century practice. As such, it needs to be understood in its own terms. Therefore, in this unit you will be encouraged to learn to appreciate the basic construct of the actor craft, your relationship with your emotional interior, and the key concepts and language used to create an authentic performance as the basic skills needed to develop a personal methodology for acting.
KTB112 Drama: Theory and Performance
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This foundational unit engages practically and theoretically with notions of contemporary performance practice, before inviting students to consider future evolutions of the form’s techniques and methodologies. Focussing on styles of performance that promote co-creation, interaction and participation, the unit teaches critical and creative theories and techniques needed to cultivate self-awareness, other-awareness, and greater socio-political awareness of performance practices. How these aspects influence style and form, constitute the central focus of the unit. A combination of exercises and opportunities to develop a performance persona in this unit encourages students to find comfort in the evolving modes and expressions of the form of contemporary dramatic styles.
KTB114 Interpreting Dramatic Text
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
Through critical engagement with theories of dramatic interpretation, this foundational unit provides introductory learning experiences to help you effectively perform dramatic text. The notion of “text” is understood as potentially covering a broad range of artefacts and creative stimulus, from classical scripts to inter-disciplinary creative artefacts and even inanimate chosen objects. This unit enables you to develop and apply skills of theatrical interpretation and performance through practice-led process methodologies grounded in theories of dramatic interpretation, rehearsal, and performance. You will work with your peers to critically engage with the interpretation of a source text, before being provided the opportunity to develop a performance of the text and implement the core performing skills needed for this.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB115 Devising Drama
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit introduces models of devising to create a new performance work under the guidance of a tutor/director. The work will be devised in groups and performed at the end of semester. Past and present practitioners have proven that key creatives of many kinds can lead the creation of dramatic works through collaborative models of performance making, which often aspire to include a range of voices, innovating in both form and content.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB120 Diverse Theatre Practice
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit addresses artistic practices and narratives that, for historical, societal or political reasons, have struggled to find a safe place and a voice in our cultural landscape. Through direct engagement and individual self-reflection, the unit will provide foundational knowledge of the sensitivities of practice and protocols to enhance communication and appropriate professional conduct when collaborating with artists from diverse backgrounds and cultures. An appreciation of how performance and story manifest across distinct cultural boundaries and history is essential for a comprehensive understanding of theatre practice in the 21st century. Theatre practitioners require an awareness of cultural practices and protocols, and understanding of the multiplicity and complexity of a diverse, globalised world, to ensure the voice of Australian theatre reflects a true picture of contemporary society.
KTB121 Acting in Style: The Responsive Actor
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit engages theoretically and practically with interaction, reaction, participation and co-creation in non-realistic approaches to acting with emphasis on the different styles of comedy. The critical and creative theories and techniques needed to cultivate self-awareness, other-awareness, play and improvisation in acting in different styles, constitute the central focus of the unit. The basic premise of performance is sharing the conspiracy of theatre with the creative collaborators, fellow performers and, most importantly, the audience. Being comfortable with the uncertainty of the live act and empowered by its dynamism and ephemerality are key aspects of the development of the responsive actor. A combination of exercises and scene study will deepen the understanding and playing of action in the comedic mode.
KTB126 Drama Practice: Collaboration
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This introductory unit addresses practical and theoretical understandings of processual, improvised and devised dramatic form. It introduces collaborative practice and play building that is at the heart of the BFA Drama coursework. The unit presents different techniques and processes of content generation and form exploration and develop a language around creative inquiry, taking concepts to action and applying form and genre to original ideas. It offers a descriptive and analytical vocabulary to underpin the application of performance making in preparation for 2nd and 3rd year practical units. Ultimately, this unit will provide a solid foundation for the academic and professional skills of observation and analysis, teamwork, creative leadership and collaboration to explore ideas or generate content.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB216 Drama Practice: Interpretation
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit enables you to build and apply skills of theatrical interpretation and performance through a practice-led process of script-based rehearsal and performance of selected scenes. Performance making stems from three fundamental strategies: interpretation, transformation and generation. Interpretation is the process of creating meaning from an extant work; analysis, research and contextualisation are the tools by which the meaning and significance of performance texts are revealed, developed and actioned by the collaborative group. Led by creative practice, this intermediate unit builds on introductory learning experiences to aid you to effectively perform as Drama practitioners.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB218 Curating Drama Experiences
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 1 (February)
Unit synopsis
This unit recognises performance makers, drama educators, directors, performers, dramaturgs and community arts workers all need to understand how to shape and lead engaging drama experiences for a range of performative contexts. Through theory and practice, this unit provides a foundational platform for the development of a process-driven performance practice, including the selection and sequencing of dramatic conventions, elements, and context to generate meaning and dramatic experiences. This unit challenges particular assumptions and widely held views about the way dramatic action is created, encountered and used by performance makers and audiences, operating in an environment keenly aware of diversity and sustainability as key components of all drama-based art practices.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB219 Directing
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This intermediate praxis unit investigates notions and functions of direction and creative leadership in the fields of theatre, drama, mediated and live performance. Through engaging with models of directorial best-practice and examining influential practitioners you will unpack the process of leading creativity from both a collaborative and personal perspective, with the aim of achieving a unified creative vision in consideration of emerging ideas in sustainability, diversity and technology and how these things may shape considerations of leadership. Whether within conventional hierarchical structures or collaborative models, delivering creative outcomes requires not only knowledge of the personal, logistical, curatorial, and sustainable artistic processes of creation, but also an understanding of the processes to safely navigate from concept to fullest expression.
KTB225 Radical Theatre Forms
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit develops an appreciation of theatre innovation in both historical and contemporary contexts. It addresses concepts attributed to postdramatic theatre, immersive theatre forms, theatre as a hypermedium, and audience-centred work. Throughout history theatre has responded to changes within society and has developed styles that have reinterpreted and reinvented the notions of character, tension, audience, site, time and narrative. One way to understand new and radical theatre styles is to investigate the historical and contemporary contexts that are shaping current theatrical practice. These practices give rise to theatre that is responsive to site, places the audience at the centre of the experience and engages with non-linear narrative form. Understanding this enables theatre-makers to develop informed choices about where to locate, describe and promote their practice and product. This unit explores forms that reinvent notions of audience, narrative, space and linear time.
KTB226 Drama Practice: Transformation
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This practice-led, intermediate unit enables you to build and apply skills in collaboratively devising and performing a show. Under the guidance of a director you interpret and transform key formal features of selected iconic practitioners or performances as the starting point for an original show to be performed at the end of semester. Indeed, transformation can be a process of adaptation, repurposing or one of profound re-imagining of content and/or form through research of form and genre, and the development and application of skills in devising, workshop and dramaturgical interrogation.
Approval required
You can only enrol in this undergraduate unit if you meet the specified requirements and have significant background knowledge in the area of study. After you apply, we will assess the units and your background knowledge and let you know the outcome.
KTB227 Leadership in Creative Contexts: Directing Creativity
Unit information
- School/discipline
- Drama
- Study level
- Undergraduate units
- Availability
- Semester 2 (July)
Unit synopsis
This unit investigates notions and functions of leadership in the fields of theatre, drama and performance. Through engaging with models of directorial best-practice and examining influential practitioner-leaders, you will unpack the process of leading creativity from both a collaborative and personal perspective, with the aim of achieving a unified creative vision. Whether within conventional hierarchical structures or collaborative models, delivering creative outcomes requires not only knowledge of the personal, logistical and artistic processes of creation, but also an understanding of the processes to safely navigate from concept to fullest expression.